Chant (2024)

for cello and live electronics 

Chant is a live electronic project using phonetically augmented instrumental language. By reinterpreting the spectral tones of the instrument and combining them with the vowel formants, the sound of the cello is reminiscent of a primordial voice. The instrument’s expressive gestures and the spectrally processed layers evoke sentimental qualities, functioning as a metaphorical form of voice.

This piece forms part of a broader research project of Vowel Generator developed in my paper “Chanting the Cello: Vocal Formant Synthesis in Live Electronics”, which investigates vowel-based formant synthesis, real-time timbral transformation, and the creation of a vocal–instrumental hybrid language in live electronic performance. 


2026, International Computer Music Conference (ICMC), Hamburg, Germany

2026, The Society for Electro-Acoustic Music in the United States Conference (SEAMUS), San Antonio, TX

2025, PdMaxConference, UIUC, Urbana-Champaign, IL

2024, Master's Degree Recital, Jacobs School of Music, Bloomington, IN